
Residue of Thought explores what remains after a thought has moved through us. A human face emerges from loose charcoal marks, never fully resolving and never completely disappearing.
Dense areas gather around the eyes and centre of the face while lighter marks dissolve into the surrounding paper. Recognition and abstraction compete for space, leaving the viewer to decide where the portrait ends and the memory begins.
Created through instinctive mark-making rather than controlled realism, the work continues the visual language of Fragments of Thought: identity, memory and human presence reduced to marks that refuse to stay still.
The work does not ask the viewer to identify a person. It asks what remains when identity begins to fragment, and whether a few lines can still hold the weight of a face.